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Baletoskop

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Theatre: Divadlo J. K. Tyla Plzeň
Ensemble: balet Plzeň
Stage: Komorní divadlo Plzeň
Opening:
15. 11. 1980 1st stage production (1st stage productionprvní provedení 15. 11. 1980)
Call #: K 14 226 P (ID=15652)
Genre: Ballet
Note:
Koncert Aranjuez - českoslov. premiéra, Horko a Nokturno u fontány - první provedení.

Koncert Aranjuez

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Authors

Composer:Joaquín Rodrigo; Libretto:Saša Večtomov; Author of Book:Federico García Lorca

Producers

Choregrapher:Gustav Voborník; Stage Director:Gustav Voborník; Set Design:Bedřich Barták; Assistant Choroegrapher:Milada Papežová

Cast

Doňa Bernarda:Jana Naumovičová; Angustias:Soňa Brožová; Mortirio:Olga Štruncová (alternation); ~ Iveta Šindelářová (alternation); Adéla:Libuše Králová; Pepe Románo:Zdeněk Sudek

Horko

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Authors

Composer:Čestmír Gregor; Libretto:Vladimír Vašut

Producers

Choregrapher:Gustav Voborník; Stage Director:Gustav Voborník; Set Design:Bedřich Barták; Conductor:Václav Cibulka; Assistant Choroegrapher:Milada Papežová

Cast

Plavčík:František Tichý (alternation); ~ Jiří Hoščálek (alternation); Kameraman:Jiří Hoščálek (alternation); ~ Václav Kolář (alternation); Režisér:Zdeněk Sudek; Adonis:Miloslav Kydlíček; Sexílie:Alena Chládková (alternation); ~ Bohumila Mejcharová (alternation); Otec:Otakar Šnajdr; Matka:Miroslava Krčálová; Maruška:Sylva Kohoutková; Ladínek:Jiří Žalud

Nokturno u fontány

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Authors

Composer:Miroslav Hlaváč; Libretto:Vladimír Vašut

Producers

Choregrapher:Gustav Voborník; Stage Director:Gustav Voborník; Set Design:Bedřich Barták; Assistant Choroegrapher:Libuše Králová; Cameraman of Film Sequences:Emil Sirotek
Related documents
Digitalized materials (available only in IDU building): programme; clippings
Number of photographs: 5 →
Number of scenic designs (document, photocopy): 16 →
Photographers:
 
Logo of The Norway grants

Photobase completation and maintanance was supported by Norway grants by the Norwegian Financial Mechanism.

Scenic documents

Scenographer:
    
Logo of The Norway grants

Photobase completation and maintanance was supported by Norway grants by the Norwegian Financial Mechanism.

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